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Bridgette L. Rallo200

Professional PMC:
 


Belize Pendant and Earring Set
by Bridgette L. Rallo

 

Belize575

Advanced LevelThe natural world is full of splendor: No human artist is a real match for Mother Nature. That being said, there’s no reason why we can’t learn at her knee. Nature school begins with observation and observation leads to the inescapable conclusion that the world outside is full of endless layers of variety.

As jewelers, we’re lucky because our raw materials are all products of nature in an almost pristine form. The stones we polish and set, and the shining metals we heat, hammer and shape are all natural gifts. We are close to the earth.

For this lesson, I’ve selected a magnificent Rainforest Jasper cabochon and tried to design a setting for it that evokes a little slice of unspoiled life. The tiny, golden-eyed frog hovering above the cabochon on the pendant adds a third dimension, a small layer of complexity, which is something that you just might see on a walk in the rainforest if you’re in the right place at the right time. The dangling frog earrings with their “V” shaped ear wires add movement and whimsy to the overall effect.

It’s a difficult project that will challenge you and take time to complete. The work is painstaking and there’s no way around it. But, if you take your time and do the best work you’re capable of, you’ll be rewarded with a show stopping set of jewelry that every “green” enthusiast will admire.   

The gorgeous Rainforest Jasper cab I used in this piece is the kind of stone you look for, sometimes for months or years, before you find it. I bought this one from Designer Cabochons, a wonderful gem site owned by an extremely talented British lapidary couple, Jane and Alex. They do have a few other Rainforest cabs for sale and may be able to custom cut what you’re looking for if you email them. A good, saturated green color is important in the Belize design. Rainforest is a variable form of Rhyolite and can run to orange, so don’t by a cab if you haven’t seen a photo of it and make sure that the cab you do buy is over 35mm in either length or width (mine is 52mm long).

Another supplier whom I know has Rainforest cabochons on her site is Judy Kiriazis of Heart of Stone Studio. This is another of my favorite sites; Judy has an amazing variety of stones for sale at any given time and you can also email her with requests.

If you can’t find a Rainforest Jasper cab that you like, consider other green colored stones as an alternative. There are wonderful green-based cabs of Ocean Jasper out there, as well as Parrot Wing, Green Imperial and Bog Jaspers. Malachite is another good choice: it’s a beautiful green, has great markings and is a traditional stone in Pre-Columbian designs, many of which feature frogs. If all else btn_downloadebookfails, you can always use a green dichroic glass cab. Select one that has interesting, natural looking patterns.

Bridgette L. Rallo150About The Author

I truly believe that jewelry is wearable art and I approach each of my pieces that way. The color and form of my stones, the compatibility of stone and metal type with the piece I have in mind, the “wearability” of each piece, all of these things are in my mind as I work on a particular composition. My work is strongly tied to the environment because I understand that Nature is the ultimate artist.

From my earliest memories, I have been in love with handmade art jewelry. My affair began in earnest during high school, when I started making pieces for myself and my friends. Visiting Italian artist Paula Wolfson noticed the quality of my design and my attention to detail and accepted me in an offhanded apprenticeship in painting for three years. Thus I absorbed the fundamentals of abstract art from one of its celebrated European proponents. Next, I studied and worked for East Hampton potter and sculptor Frank Pereira. There I met the next generation of 1960s jewelry artists, many of whom sold their work through Pereira.

But I was also a talented writer, and, after college and marriage to painter and architect Harry Rallo, I began a career as a newspaper reporter in Florida that lasted until 1999. Tired of the hectic pace of news writing, I decided to begin a new career handcrafting jewelry. My first step was to immerse herself in the mechanics of my craft: I studied advanced wire wrapping techniques with Amy Duloff of Ft. Lauderdale, FL; metalsmithing techniques with prize-winning jewelry artist Susan Lewis at the Boca Raton, FL, Museum of Art; and Precious Metal Clay (PMC) techniques with Vera Lightstone of Lightstone Studios in Manhattan. In June of 2005, I became a certified PMC instructor and, in January of 2006, a certified Level 2 instructor.

Visit Bridgette’s website, www.greenwoodsstudio.com,

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